Ebook Free Freehand Drawing and Discovery: Urban Sketching and Concept Drawing for Designers
Ebook Free Freehand Drawing and Discovery: Urban Sketching and Concept Drawing for Designers
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Freehand Drawing and Discovery: Urban Sketching and Concept Drawing for Designers
Ebook Free Freehand Drawing and Discovery: Urban Sketching and Concept Drawing for Designers
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Amazon.com Review
Featured Content from Author Jim Richards [Click Images to Enlarge] Sketched on location while waiting for a bus in Belo Horizonte, Brazil. These delightful refreshment stops seemed to be everywhere in southeastern Brazil. Richards was particularly taken with the happy coconut drinks on the roof of this one. He used a Microperm 05 permanent ink pen and watercolor in a large Moleskine watercolor sketchbook. The line sketch and watercolor went very fast, about 20 minutes total. Sketched on location in the Peruvian Andes. It was mid-afternoon, after many tourists had left. Perched on a boulder, Jim Richards used a Microperm 05 permanent ink pen and watercolor in a large Moleskine watercolor sketchbook. The line sketch took about 20 minutes; watercolor took another 20 minutes.
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From the Back Cover
"The things we learn about our environment when we draw on location help us as we imagine, draw, and design the future."—Francis D.K. Ching While computer-aided design has changed the way designers explore and communicate their visions, freehand drawing remains an essential skill for capturing a flow of visual ideas and developing them on the spot. Freehand Drawing & Discovery takes an updated and practical approach to using hand sketching in a digital world, employing a "both/and" philosophy that shows you how to rapidly capture ideas with hand sketching that can then be further explored and refined using digital tools. Created by an urban designer and blog correspondent for Urban Sketchers, this resource-rich, user-friendly guide provides step-by-step instruction on drawing tools and techniques. It offers practical suggestions on how to use freehand sketching skills in conjunction with digital tools on real-world projects. Freehand Drawing & Discovery: Crosses disciplinary boundaries, from architecture, urban planning, and landscape architecture to the widely diverse Urban Sketching community Covers sketching tools and techniques, location sketching, concept sketching, and digital sketching Includes nearly 300 full-color drawings, including contributions by Michael Vergason, Kevin Sloan, Christine Ten Eyck, Luis Ruiz, Gabriel Campanario, Liz Steel, Kim Perry, Bob Hopewell, and a special contribution on digital design sketching by Robert Chipman Features access to video tutorials in which the author demonstrates techniques for creating sketches from your imagination, sketching on location, sketching on a digital tablet, and painting with watercolors Freehand Drawing & Discovery is a must-have handbook for students and professionals in urban planning, landscape architecture, and architecture. It is also a rewarding resource for general artists, sketchers, and anyone interested in the Urban Sketching phenomenon.
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Product details
Hardcover: 288 pages
Publisher: Wiley; 1 edition (February 4, 2013)
Language: English
ISBN-10: 1118232100
ISBN-13: 978-1118232101
Product Dimensions:
8.2 x 0.7 x 10.9 inches
Shipping Weight: 2.4 pounds (View shipping rates and policies)
Average Customer Review:
4.8 out of 5 stars
78 customer reviews
Amazon Best Sellers Rank:
#346,387 in Books (See Top 100 in Books)
This book teaches you how to simplify complex scenes into manageable drawings. If you have ever tried to draw from life or even from a landscape photograph you know your first problem is the complexity of the visual information, it is hard to know where to start and what to include. I will share a good experience I had with this book that I think shows how this book can help you get started and make your way through sketch of a complex subject.I bought the book some months ago and read it with enjoyment on the Kindle app on my ipad. One new thought that stayed with me is that all the human figures in a drawing have their eye level on the horizon line. I understood the idea but didn't really believe real life worked that way, it seemed too good to be true. Recently I was on the beach in Florida, the beach is one of the few places you get an unobstructed view of the actual horizon, and sure enough, I could see that the people in front of me had their eye level on the horizon line, no matter how far they were from my observation point. Experimenting with the horizon line in photos inspired me to look up this subject in Richards' text (a benefit of having the ebook-it is with me when I travel). I read the relevant sections in Richards and then proceeded to use his method to draw an ink and water-color pencil sketch of his Fig. 2.30, which is a photo of a cathedral, a pretty challenging subject, which has a lot of people at various distances in the foreground. The text has images of several stages of the development of his drawing of the scene, which are helpful to understand his procedure. In about 3 hours I had an ink and watercolor pencil sketch I was happy with (no doubt Richards could do this in about 20 minutes). [Hey Amazon! If we could upload images to reviews I could post my sketch here!] More importantly, the horizon line idea was really making sense to me and Richards' method for sketching had prove its usefulness for getting a nice sketch of a complicated city landscape.By the way, this is one book where the potential of the ebook format is realized. Most of the photos and drawings will enlarge to full screen if you double click on them, and you can pinch and zoom-invaluable for sketching from the photos in the book. I've noticed many print art books have the reference photo too small for you to do your own work from them. The video links are really helpful as well. And Richards has a nice encouraging writing style that gives you confidence as you try to follow his suggestions. Overall highly recommended.
I love this book! James Richards has created a drawing guide that is so joyful, exuberant and empowering that anyone who draws or anyone who wishes to draw should add this to their permanent library. This book transcends the mere how-to and reaches right to the core of why we draw and how we create. Both the text and the illustrations offer powerful insights into the creative process. I love how each page of text offers a core idea that is highlighted and reinforced by the lay-out and how is page is simply beautiful to look at.This book offers some of the clearest and most straightforward explanations of technique that I have ever come across. It makes an important point, that in this rapidly changing world, it is not the tool, but the artist's vision that matters. Vignettes by fellow sketchers offer additional insight into the creative process, while the final section offers a philosophy and a way of thinking about the relationship between hand drawing and digitalization that clearly shows the synergy between these different methods of expression.This book is a must have for anyone seeking to understand and refine their own creative process.
I usually do a lot of figure drawing until I accidentally saw this book on Amazon. I was checking it out and got really inspired by Mr Richards work. I bought the book and read it cover to cover. I tried to copy a lot of his drawings and have developed such an appreciation for this craft. The videos are very valuable and informative. I have watched them numerous times. Great book and highly recommend it!! Thank you Mr Richards!PS: The quality of the book is outstanding
While I haven't finished the whole book (I'm waiting to read the last section, which is about presentation graphics), I want to give this book a big thumbs up. I'm a landscape arch student and I'm not the most confident with freehand drawing. I always find myself saying 'someone here knows how to make this easier and they just aren't telling me.' Well someone does know and he wrote a great book about it. Just about everything you want to know is in this book. I filled the margins with notes, tips, and tricks Richards discusses in the book that have already helped me and inspired me to be a less anxious sketcher. He's an urban sketcher and it shows, but the style he uses in the book is certainly appropriate for designers as well. I found myself sketching dozens of pages of people and cars because he makes it so easy to figure out the proportions and level of appropriate detail. Those are the two things I was most anxious about. I recommend this book if you need some inspiration, some cheerleading, or someone to tell you exactly how to develop your own style of freehand drawing.
This is a terrific book on sketching, straightforward, simple, and unpretentious. Easy to follow instructional descriptions and good graphic examples. Freehand Drawing and Discovery is a required textbook in my Landscape Architecture Drawing course.
This is a wonderful book both for its intended purpose, which is to inspire designers to use sketching to move the design process along, and to those of us who just want to capture the world around us on our sketch pad. I don't aspire to be an "urban sketcher" but I have found that many of the principles apply equally well to the drawings I work on when I'm hiking, traveling or simply out in the country, This book is really about how to see the beauty that is around you and move toward capturing that essence by getting out of your own way.
Truly an outstanding book. The illustrations are wonderful, full of crisp ink drawing with great use of color. Very architectural with extremity helpful instructions. I would highly recommend to architects, landscape architects and urban planners.
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